kitparkerfilms

Archive for October 2011

Jim Skinner

From KTVU’s web site:

Jim Skinner, the station’s Film Director, built a national reputation by insisting that Hollywood studios send only the best prints of its films to KTVU. Any scratches or defects raised his ire and ensured that the print was returned unscreened. Viewers benefited with pristine copies of such classics as Casablanca, Rebecca, The Maltese Falcon as well as more modern blockbusters, including Earthquake, Airport 77, and Smokey and the Bandit. Furthermore, Skinner despised censorship and KTVU audiences often glimpsed on-screen nudity or heard obscenities not normally shown on commercial television stations.

As much as Jim was loved by film lovers, he was reviled by studio film departments, and the labs they used to make prints.  If it wasn’t perfect, he’d send it back, and back, and back again, until that one tiny hair on one frame was remedied.  He always complained to me about reoccurring problems with “sibilance”.  He said it so many times that I finally looked it up. (It’s the noise associated with syllables like “s,” “sch” and “ch”) During his tenure at Channel 2, Kit Parker Films used the same labs to make up prints for its library.  The labs didn’t care too much for me because was I was finicky enough, but at least I was diplomatic and would compromise.  Jim, on the other hand, was in a class by himself.  He didn’t care about making friends, and would badger labs until they were really pissed off…pushed them until they gave in and made new negatives, and sometimes multiple negatives.  The man could not be intimidated.

I’d first met Jim in 1981, and he was a perfectionist if there ever was one.  Jim loved to regale me with stories of how he battled with film laboratories and television syndicators to bring their standards up to his standards.  If we weren’t talking about print quality it was about his second favorite subject, Christmas.  One year Jim invited my wife, Donna, and I to see him during the holidays so he could show off his decorations.  I’ve never seen anything like it; tree alone must have taken days to decorate.  

Jim’s favorite movie was “Royal Hunt of the Sun” (1969), with Robert Shaw and Christopher Plummer.   When its distributor, CBS Films, sold the movie to Channel 2, they didn’t know what they were getting into.   He turned that movie down so many times for quality purposes that the air date had to keep being postponed.  Eventually it passed his muster.  Later on I distributed the CBS library in 35mm and 16mm, and ordered a new print.  Written right on the negative was “KTVU Quality.”  That was one print I didn’t have to QC.

Eventually Jim left KTVU and went to work for Encore.  “Twenty-something’s” were running the programming department, and they simply didn’t understand old movies much less appreciate the way Jim did things.  He also tired of what he claimed were constant jokes about gays, something I assumed Jim hadn’t encountered in the Bay Area.  Embittered, he left Encore, becoming a recluse in the Colorado mountains.  He’d get snowed in for weeks, and that was okay with him.  I couldn’t reach him by phone, and years later, when I was finally able to speak with him; he was dying of cancer, and avoiding everyone, even his old friends at KTVU. 

Jim Skinner had an obsession, no an obsession, with print quality.  He could see blemishes that would be far beyond a normal person’s retinal perception.  He was even more particular about audio imperfections.  The joke was only canines could hear the same upper frequencies that Jim could.   

The Fourth Man From Oakland to follow

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Who produced or co-produced almost 250 feature films and is virtually unknown today?

That man is Robert L. Lippert (1909-1976), who did just that in 25 years, from 1945-1969.

Between 1945-1956 he also distributed more than 100 of his own productions (most of which are owned by my company, Kit Parker Holdings, LLC) and another 100 films produced by others.

Compiling this filmography more difficult because some Lippert films made after 1959 were not credited to any of his production companies.

Titles in bold are Lippert productions or co-productions.  The rest were produced by others and only distributed by Lippert.

Key: R: Reissue, D: Distributor only, TV: Independent production purchased outright by Lippert expressly for use on television.

Distributors: LP: Lippert Pictures, SG: Screen Guild Productions (subsequently known as  Lippert Pictures), RS:  RegalScope (Regal Films), API: Associated Producers, Inc., Fox: 20th Century-Fox, ARC: American Releasing (later known as AIP, American International Pictures), WB: Warner Bros. RS and API are Lippert production companies financed by Fox.

“Hammer”:  Lippert Pictures-Exclusive Films/Hammer Films co-productions

Italicized titles are owned by Kit Parker Films and available on DVD from http://www.sprocketvault.com

 

  • 13 FIGHTING MEN (1960) API-Fox
  • 20,000 EYES (1961) API-Fox
  • ABDUCTORS, THE (1957) RS-Fox
  • ABOMINABLE SNOWMAN, THE (1957) Buzz Productions/Hammer, Fox
  • ACTORS AND SIN (1952) Limited TV distribution rights only, LP-D
  • AIR PATROL (1962) API-Fox
  • AIR STRIKE  (1955) LP
  • ALASKA PASSAGE (1959) API-Fox
  • ALI BABA NIGHTS (R-1953) UK: Chu Chin Chow, 1934, LP-D
  • ALLIGATOR PEOPLE, THE (1959) API-Fox
  • AMBUSH AT CIMARRON PASS (1958) RS-Fox
  • APACHE CHIEF (1950) LP
  • APACHE WARRIOR (1957) RS-Fox
  • ARSON, INC. (1950) LP
  • AS YOU WERE (1951) LP
  • BACHELOR IN PARIS (1952) UK: Song of Paris, LP-D
  • BACK DOOR TO HELL (1964) US-Philippines, Fox
  • BACK FROM THE DEAD (1957) RS-Fox
  • BAD BLONDE (1953) UK: Flanagan Boy, Hammer, LP
  • BADLANDS OF MONTANA (1957) RS-Fox
  • BANDIT ISLAND (1953) 3-D Short Subject, LP
  • BANDIT QUEEN, THE (1950) LP
  • BAR 20 JUSTICE (R-1947) 1938, SG-D
  • BARON OF ARIZONA, THE (1950) LP  (DVD: Criterion Collection) *
  • BATTLE AT BLOODY BEACH, THE (1961) Fox
  • BELLS OF SAN FERNANDO (1947) SG
  • BIG CHASE, THE (1954) LP
  • BIG SHOW, THE (1961) API-Fox
  • BLACK GLOVE, THE (1954) UK: Face the Music, Hammer, LP
  • BLACK PIRATES, THE (1954) US-Mexico, LP
  • BLACK WHIP, THE (1956) RS-Fox
  • BLACKOUT (1954) UK: Murder by Proxy, Hammer, LP
  • BLOOD AND STEEL (1959) API-Fox
  • BLOOD ARROW (1958) RS-Fox
  • BORDER RANGERS (1950) LP
  • BORDER VIGILANTES (R-1946) 1941, SG-D
  • BORDERLAND (R-1946) 1937, SG-D
  • BOY! WHAT A GIRL! (1947) SG-D
  • BROKEN LAND (1962) API-Fox
  • BUFFALOBILL RIDES AGAIN (1947) SG-D
  • BURNING CROSS, THE (1947) SG-D
  • BUSH PILOT (1947) SG-D
  • CABINET OF CALIGARI (1962) LP-Fox
  • CALL IT MURDER (R-1947) Orig.: Midnight, 1934, SG-D
  • CALL OF THE FOREST(1949) LP-D
  • CAPTAIN KIDD (R-1952) 1945, LP-D
  • CASE OF THE BABY SITTER (1947) Featurette, SG
  • CASSIDY OF BAR 20 (R-1947) 1938, SG-D
  • CATTLE EMPIRE (1958) Fox
  • CHINA GATE (1957) Fox
  • COLLEGE CAPERS (1953) 3D short subject, LP
  • COLORADO RANGER – TV: Guns of Justice (1950) LP
  • COME BE MY VICTIM, half-hour TV abridgement of Danger Zone (1951), LP
  • CONVICTS AT LARGE (1938) LP-TV
  • COPPER SKY (1957) RS-Fox
  • COWBOY, THE (1954) LP
  • CREEPING UNKNOWN, THE (1965) UK: Quatermass Xperiment, Hammer, UA
  • CROOKED RIVER – TV: The Last Bullet (1950) LP
  • CURIOUS ADVENTURES OF MR. WONDERBIRD, THE (1953) France: Bergère et le ramoneur, 1952, Dubbed, LP-D
  • CURSE OF THE FLY (1965) Fox
  • DALTON GANG, THE (1949) LP
  • DANGER ZONE (1951) LP
  • DAY IN THE COUNTRY, A (1953) 3-D short subject filmed in 1941 as Stereo-Laffs, LP-D
  • DAY MARS INVADED EARTH, THE (1963) API-Fox
  • DEADLY GAME, THE (1954) UK, Third Party Risk, Hammer, LP
  • DEATH VALLEY (1947) SG
  • DEERSLAYER, THE (1958) Fox
  • DEPUTY MARSHAL (1949) LP
  • DESERT HELL (1958) RS-Fox
  • DESIRE IN THE DUST (1960) Fox
  • DESPERADOES ARE IN TOWN, THE (1956) RS-Fox
  • DOG OF FLANDERS, A (1959) Fox
  • DRAGON OF DEATH, half-hour TV abridgement of Mask of the Dragon (1951), LP
  • EARTH DIES SCREAMING, THE (1964) UK, Fox
  • ENEMY FROM SPACE (1957) UK, Quatermass 2, UA
  • ESCAPE FROM RED ROCK (1957) RS-Fox
  • EVERYBODY’S DANCIN’ (1950) LP
  • FAMILY AFFAIR (1956) UK: Life with the Lyons, 1954, LP-D
  • FANGS OF THE WILD aka Follow the Hunter (1954) LP
  • FAST ON THE DRAW – TV: Sudden Death (1950) LP
  • FBI GIRL (1951) LP
  • FELICIA (1964) API-Fox
  • FINGERPRINTS DON’T LIE (1951) LP
  • FINGERPRINTS, half-hour TV abridgement of Fingerprints Don’t Lie (1951), LP
  • FIRE ALARM (1932) Orig.: Flames  LP-TV
  • FIREBRAND, THE (1962) API-Fox
  • FIVE GATES TO HELL (1959) Fox
  • FLAMING FRONTIER  (1958) Canada, Fox
  • FLESH AND LEATHER, half-hour TV abridgement of Stop That Cab (1951), LP
  • FLIGHT TO FURY (1964) US-Philippines, Feature Film Corp. of America
  • FLIGHT TO NOWHERE (1947) SG
  • FLY, THE (1958)
  • FORTUNE IN DIAMONDS, A (1951)UK: The Adventurers, LP-D
  • FORTY GUNS (1957) Fox
  • FRANCIS OF ASSISI (1961) API provided guided only, Fox
  • FRECKLES (1960) API-Fox
  • FRONTIER GAMBLER (1956) ARC
  • FRONTIER GUN (1958) RS-Fox
  • FRONTIERSMEN, THE (R-1947) 1938, SG-D
  • FROZEN ALIVE (1964) Germany: Der Fall X701, Feature Films of America
  • G.I. JANE (1951) LP
  • GAMBLER AND THE LADY (1952) UK, Hammer, LP
  • GANG WAR (1958) RS-Fox
  • GHOST DIVER (1957) RS-Fox
  • GHOST SHIP (1952) UK, 1951, LP-D
  • GIRL FROM CALGARY, THE (1932)  LP-TV
  • GLASS TOMB, THE (1955) UK: The Glass Cage, Hammer, LP
  • GOD IS MY PARTNER (1957) RS-Fox
  • GOD’S COUNTRY (1947) SG
  • GRAND CANYON (1949) LP
  • GREAT JESSE JAMES RAID, THE (1953) LP
  • GREAT WHITE HUNTER, THE (R-1953) Orig.: The Macomber Affair,1947, LP-D
  • GUNFIRE (1950) LP
  • HAND OF DEATH , THE (1962) API-Fox
  • HARBOR LIGHTS (1963) API-Fox
  • HARPOON (1948) SG-D
  • HAT BOX MYSTERY, THE (1947) Featurette, SG
  • HEART OFARIZONA(R-1948) 1938, SG-D
  • HEAT WAVE (1954) UK, House Across the Lake, Hammer, LP
  • HELL HARBOR(1930)  LP-TV
  • HELL ON DEVIL’S ISLAND (1957) RS-Fox
  • HELLGATE (1952) LP-D
  • HER ENLISTED MAN (R-1935) Orig.: Red Salute,1935, SG-D
  • HERE COME THE JETS (1959) API-Fox
  • HIDDEN GOLD (R-1948) SG-D
  • HIGH POWERED RIFLE, THE (1960) Fox
  • HIGHWAY 13 (1948) SG
  • HI-JACKED (1950) LP
  • HILLS OF OLDWYOMING(R-1946) 1937, SG-D
  • HOLIDAY RHYTHM (1950) LP
  • HOLLYWOODBARN DANCE (1947) SG-D
  • HOLLYWOODTHRILL-MAKERS (1954) LP-D
  • HOLLYWOOD VARIETIES (1950) LP
  • HOPALONG CASSIDY ENTERS (R-1946) Orig.: Hop-a-long Cassidy, 1935, SG-D
  • HOPALONG CASSIDY RETURNS (R-1946) 1936, SG-D
  • HOPALONG RIDES AGAIN (R-1946) 1937, SG-D
  • HORROR OF IT ALL, THE (1964) UK, Fox
  • HOSTILE COUNTRY – TV: Outlaw Fury (1950) LP
  • HOUSE OF THE DAMNED (1963) API-Fox
  • I SHOT BILLY THE KID (1950) LP
  • I SHOT JESSE JAMES (1949) LP (DVD: Criterion Collection)
  • I’LL GET YOU (1953) UK: Escape Route, LP
  • IN OLD MEXICO(R-1948) 1938, SG-D
  • IRON MASK, THE (R-1953) 1929, Silent, with added sound track, LP-D
  • IT HAPPENED IN ATHENS (1962) Fox
  • JEWELS OF JEOPARDY, half-hour TV abridgement of The Roaring City (1951), LP
  • JOHNNY THE GIANT KILLER (1953) France, Jeannot l’intrépide, Dubbed, LP-D
  • JUNGLE GODDESS (1948) SG
  • JUNGLE, THE (1952) LP
  • KENTUCKY JUBILEE (1951) LP
  • KILLER DILL (1947) SG-D
  • KING DINOSAUR (1955) LP
  • KING OF THE TURF (R-1948) 1939, SG-D
  • KRONOS (1957) RS-Fox
  • LAST MAN ON EARTH (1964) Italy-USA, AIP
  • LAST OF THE WILD HORSES, THE  (1948) LP
  • LAST SHOT YOU HEAR (1969) UK, Fox
  • LAW OF THE PAMPAS (R-1948) 1939, SG-D
  • LAW OF THE SEA (1931)  LP-TV
  • LEAVE IT TO THE MARINES (1951) LP
  • LIMPING MAN, THE (1953) UK, LP-D
  • LITTLE BIG HORN (1951) LP
  • LITTLE SAVAGE (1959) US-Mexico, API-Fox
  • LITTLE SHEPERD OF KINGDOM COME (1961) API-Fox
  • LOAN SHARK (1952) LP
  • LONE TEXAN (1959) RS-Fox
  • LONESOME TRAIL, THE (1955) LP
  • LONG FALL, THE, half-hour TV abridgement of Pr 23 (1951), LP
  • LONG ROPE, THE (1961) API-Fox
  • LOST CONTINENT, THE (1951) LP
  • LURE OF THE SWAMP (1957) RS-Fox
  • MAN BAIT (1952) UK: The Last Page, Hammer, LP
  • MAN FROM CAIRO, THE (1953) Italy-UK-USA, Guidance only, LP
  • MARCH OF THE WOODEN SOLDIERS (R-1950) Orig.: Babes in Toyland, 1934, LP-D
  • MARK OF THE LASH (1948) SG-D
  • MARSHAL OF HELDORADO – TV: Blazing Guns (1950) LP
  • MASK OF THE DRAGON (1951) LP
  • MASSACRE (1956) Fox
  • MIRACLE INHARLEM(1948) SG-D
  • MISS ANNIE ROONEY (R-1948) 1942, SG-D
  • MISSING WITNESS, THE, half-hour TV abridgement of Fingerprints Don’t Lie (1951), LP
  • MONSTER FROM THE OCEAN FLOOR (1954) LP-D
  • MORO WITCH DOCTOR (1964) Philippines: Amok, API-Fox
  • MOTOR PATROL (1950) LP
  • MOZART STORY (1948) Germany-Austria: Wen die Gotter lieben, Dubbed, SG-D
  • MR. ROBINSON CRUSOE (R-1953) LP-D
  • MR. WALKIE TALKIE (1952)
  • MURDER GAME (1965) UK, LP-Fox
  • MURDER, INC. (1960) Fox
  • MY DOG SHEP (1947) SG
  • NAVAJO (1952) LP-D
  • NIGHT TRAIN TO PARIS (1964) UK, Fox
  • NORMAN CONQUEST (1953) UK:MarkPlaza605, LP-D
  • NORTH OF THE BORDER (1947) Featurette, SG
  • NORTH OF THERIO GRANDE (R-1946) 1937, SG-D
  • NORTHWEST TRAIL (1945) SG
  • OMOO-OMOO THE SHARK GOD (1949) LP-D
  • ON FOUR WHEELS, half-hour TV abridgement of Stop That Cab (1951), LP
  • OPERATION HAYLIFT (1950) LP
  • OREGON TRAIL (1959) Fox
  • ORIENTAL CLUE, THE half-hour TV abridgement of Mask of the Dragon (1951), LP
  • OUTLAW COUNTRY (1949) SG
  • OUTLAW WOMEN (1952) LP-D
  • OUTLAWS IN THE DESERT (R-1946) 1941, SG-D
  • PAID TO KILL (1954) UK, Five Days, Hammer, LP-D
  • PARTNERS OF THE PLAINS (R-1948) 1938, SG-D
  • PERILS OF THE JUNGLE (1953) LP -D
  • PHANTOM OF THE JUNGLE (1955) LP-D
  • PIER 23 (1951) LP
  • PIER OF PERIL, half-hour TV abridgement of Pier 23 (1951), LP
  • PIRATE SUBMARINE (1952) France: Casabianca,1951, dubbed, LP-D
  • PIRATES ON HORSEBACK (R-1946) 1941, SG
  • PRAIRIE, THE (1947) SG-D
  • PLUNDER ROAD (1957) RS-Fox
  • POLICE COURT (1932)  LP-TV
  • POLICE NURSE (1963) API-Fox
  • PRIDE OF THE WEST (R-1947) 1938, SG-D
  • PROJECT MOON BASE (1953) LP-D
  • PURPLE HILLS, THE (1961) API-Fox
  • QUEEN OF SHEBA, THE (1952) Italy: La Regina di Saba, 1952, Dubbed, LP-D
  • QUEEN OF THE AMAZONS (1947) SG
  • QUIET GUN, THE (1957) RS-Fox
  • RACE FOR LIFE (1954) UK: Mask of Dust, Hammer, LP
  • RACKETEERS (R-1948) Orig.: People’s Enemy, 1935, SG-D
  • RADAR SECRET SERVICE (1950) LP
  • RAIDERS FROM BENEATH THE SEA (1964) Fox
  • RANGE WAR (R-1948) 1938, SG-D
  • RED DESERT (1949) LP
  • RENEGADE GIRL (1947) SG
  • RENEGADE TRAIL (R-1948) 1939, SG-D
  • RETURN OF GILBERT AND SULLIVAN, THE (1952) (Short Subject)UK, LP-D
  • RETURN OF JESSE JAMES, THE (1950) LP
  • RETURN OF MR. MOTO (1965) UK, Fox
  • RETURN OF THE FLY (1959) API-Fox
  • RETURN OF WILDFIRE, THE (1948) SG
  • RIDE A VIOLENT MILE (1957) RS-Fox
  • RIDERS OF THE TIMBERLINE (R-1946) 1941, SG-D
  • RIMFIRE (1948) LP
  • RINGSIDE (1949) LP
  • RIVER BEAT (1954) UK, LP
  • ROAD TO THE BIG HOUSE (1947) SG-D
  • ROARING CITY (1951) LP
  • ROCKABILLY BABY (1957) RS-Fox
  • ROCKETSHIP X-M (1950) LP
  • ROLLING HOME (1947) SG
  • ROOKIE, THE (1959) (oversaw production) Fox
  • RUSTLER’S VALLEY (R-1946) 1937, SG-D
  • S.O.S. SUBMARINE (1948) Italy: Uomini sui fondo, 1941, Dubbed, SG-D
  • SAD HORSE, THE (1959) API-Fox
  • SANTA FE MARSHAL (R-1948) 1940, SG-D
  • SAVAGE DRUMS (1951) LP
  • SCARED TO DEATH (1947) SG
  • SCOTLAND YARD INSPECTOR (1952) UK: Lady in the Fog, Hammer, LP
  • SECRET OF THE PURPLE REEF, THE (1960) API-Fox
  • SECRET OF THE WASTELANDS (R-1946) 1941, SG-D
  • SECRET PEOPLE, THE (1952)UK, LP-D
  • SEPIA CINDERELLA (1947) SG-D
  • SEVEN WOMEN FROM HELL (1961) API-Fox
  • SHADOW MAN, THE (1953) UK: Street of Shadows, Hammer, LP
  • SHE DEVIL (1957) RS-Fox
  • SHEP COMES HOME (1948)
  • SHOOT TO KILL (1947) SG-D
  • SHOWDOWN AT BOOT HILL (1958) RS-Fox
  • SHOWDOWN AT SUNUP (1949) Short subject, LP
  • SIEGE, THE (1954)Spain, 1950, Agustina de Aragón, 1950, dubbed, LP-D
  • SIERRA BARON (1958) Fox
  • SILENT CALL, THE (1961) API-Fox
  • SILENT RAIDERS (1954) LP-D
  • SILVER ON THE SAGE (R-1947) 1939, SG-D
  • SILVER STAR (1955) LP
  • SIMBA (1955) LP-D
  • SINS OF JEZEBEL (1953) LP
  • SISTERS IN CRIME, half-hour TV abridgement of The Roaring City  (1951), LP
  • SKY HIGH (1951) LP
  • SKY LINER (1949) LP
  • SLASHER, THE (1953) UK: Cosh Boy, LP-D
  • SLIGHTLY DANGEROUS (1950)UK, LP-D
  • SNIPER’S RIDGE (1961) API-Fox
  • SON OF A BADMAN (1949) LP-D
  • SON OF BILLY THE KID (1948) LP-D
  • SON OF ROBIN HOOD (1958) Fox
  • SPACE MASTER X-7 (1958) RS-Fox
  • SPACEWAYS (1953) UK, Hammer, LP
  • SQUARE DANCE JUBILEE (1949) LP
  • STAGECOACH TO FURY (1956) RS/Fox
  • STAGECOACH WAR (R-1948) 1940, SG-D
  • STEEL HELMET, THE (1951) LP (DVD: Criterion Collection)
  • STICK TO YOUR GUNS (R-1946) 1941, SG-D
  • STOLEN FACE (1952) UK, Hammer, LP
  • STOP THAT CAB (1951) LP
  • STORM RIDER, THE (1957) RS-Fox
  • STREET IS MY BEAT, half-hour TV abridgement of Stop That Cab (1951), L
  • STRONGHOLD (1952) Mexico-USA co-production, LP-D
  • SUNSET TRAIL (R-1947) 1939, SG-D
  • SUPERMAN AND THE MOLE-MEN (1952) LP
  • SURF PARTY (1964) API-Fox
  • SWINGIN’ ALONG aka Double Trouble aka Johnny One Note (1961) Fox
  • TALES OF ROBIN HOOD (1951) LP
  • TALL LIE aka For Men Only (1952) LP
  • TALL TEXAN, THE (1953) LP
  • TERROR SHIP (1954)UK: Dangerous Voyage, LP-D
  • TERROR STREET (1953) UK: 36 Hours, Hammer, LP
  • TESS OF THE STORM COUNTRY (1960) Fox
  • TEXAS TRAIL (R-1947) 1937, SG-D
  • THAT TENNESSE BEAT (1966) Fox
  • THAT’S MY BOY aka Forbidden Music (R-1948)UK: Land Without Music, 1936, LP-D
  • THERE IS NO ESCAPE (1948) SG-D
  • THEY WERE SO YOUNG (1954) W. Germany-USA, LP
  • THIRD VOICE, THE (1960) Fox
  • THREE DESPERATE MEN (1951) LP
  • THREE MEN FROM TEXAS(R-1946) 1940, SG-D
  • THUNDER IN THE PINES (1948) SG
  • THUNDER ISLAND (1963) API-Fox
  • THUNDER OVER SANGOLAND (1955) LP-D
  • THUNDER PASS (1954) LP
  • THUNDERING JETS (1958) RS-Fox
  • TOUGH ASSIGNMENT (1949) LP
  • TRAIL DUST (R-1946) 1936, SG-D
  • TRAIL OF THE MOUNTIES (1947) Featurette, SG
  • TRAIN TO TOMBSTONE (1950) LP
  • TREASURE OF MONTE CRISTO (1949) LP
  • TROMBA: THE TIGERMAN (1952)Germany: Tromba, 1949, Dubbed, LP-D
  • TWELVE HOURS TO KILL (1960) API-Fox
  • TWILIGHT ON THE TRAIL (R-1946) 1941, SG-D
  • TWILIGHT WOMEN (1953) UK: Women of Twilight, TV title: Another Chance, LP-D
  • TWO LITTLE BEARS (1961) Fox
  • UNDER FIRE (1957) RS-Fox
  • UNDERCOVER AGENT (1953)UK: Counterspy, LP-D
  • UNHOLY FOUR, THE (1954) UK: The Stranger Came Home, Hammer, LP
  • UNKNOWN TERROR, THE (1957) RS-Fox
  • UNKNOWN WORLD (1951) LP-D
  • VALLEY OF THE EAGLES (1951)UK:ValleyofEagles, LP-D
  • VALLEY OF THE REDWOODS (1960) API-Fox
  • VARIETIES ON PARADE (1951) LP
  • VILLA (1958) Fox
  • WALK A TIGHTROPE (1964) US-UK, API-Paramount
  • WALK TALL (1960) API-Fox
  • WAYNE MURDER CASE, THE (1932) Orig.: A Strange Adventure  LP-TV
  • WE WANT A CHILD! (1954)Denmark: Viv vil ha’ et bam, Dubbed, LP-D
  • WEST OF THE BRAZOS (1950) LP
  • WESTERN PACIFIC AGENT (1950) LP
  • WHERE THE NORTH BEGINS (1947) Featurette, SG
  • WHITE FIRE (1954)UK: Three Steps to the Gallows, 1953, LP-D
  • WHITE GODDESS (1953) LP-D
  • WHITE PHANTOM (1949) Short subject, LP
  • WIDE OPEN TOWN(R-1946) 1941, SG-D
  • WILD ON THE BEACH (1965) Fox
  • WILDFIRE (1945) SG
  • WINGS OF DANGER (1952) UK; Dead on Course, Hammer, LP
  • WITCHCRAFT (1964) UK, Fox
  • WOLF DOG (1958) RS-Fox
  • WOMAN WHO WOULDN’T DIE, THE (1965) UK, WB
  • WOMANHUNT aka WOMAN HUNT (1962) API-Fox
  • WOMEN OF PITCAIRN ISLAND, THE (1956) RS-Fox
  • YELLOW CANARY, THE (1963) Fox
  • YES SIR, MR. BONES! (1951) LP
  • YOUNG AND DANGEROUS (1957) RS-Fox
  • YOUNG GUNS OF TEXAS (1962) API-Fox
  • YOUNG JESSE JAMES (1960) API-Fox
  • YOUNG SWINGERS, THE (1963) API-Fox

Sources:  Motion Picture Herald, Film Daily Yearbook,U.S. Copyright Office, Maury Dexter, Robert L. Lippert, Jr. and the Kit Parker Films-Lippert Collection at the Margaret Herrick Library, Academy of Motion Picture Arts and Sciences.

Visit our website to order DVDs from the Kit Parker Films Collection –

www.sprocketvault.com

Keep up to date with our new Sprocket Vault releases by liking us on Facebook www.facebook.com/sprocketvault/

Also, be sure to subscribe to our YouTube channel:

https://www.youtube.com/channel/UCLHjjG-o5Ny5BDykgVBzdrQ .

Now we’re those old film guys…

 

My first encounter with Robert L. Lippert was in 2004, after I’d called and asked him if he’d be willing to be interviewed about his legendary father, producer-distributor-exhibitor, Robert L. Lippert, Sr.  This was shortly after I purchased the 100+ feature film library produced and distributed by “Senior,” as Bob called him.   

Bob lived in Pebble Beach, California, with his lovely wife Hong Sook.  Their house was filled with world-class Asian antiques, and his living room walls lined with photographs of him and his many adventures…and he had a lot of adventures; as a film editor, producer, exhibitor, aviator, restaurateur, and I’m sure others he didn’t have the wall space to document.

Bob took me to breakfast and we talked about his father, then we went over to his stately home.  He led me downstairs to his office which was filled with posters from movies he had worked on, “High Noon,” “The Tall Texan,” “The Sins of Jezebel,” and many others. Soon the subject of conversation turned to Bob himself.  He had a lot to say, and did so with gruff, colorful language that you’d expect of a veteran of B-movie making.  No one had ever asked him about his life in the movies for 50 years, and he was delighted to have someone interested, especially an avid listener like me.  

We met several more times, most notably when he invited my wife, Donna, and I for lunch at the Pebble Beach Country Club.  I dressed nicely with a sport jacket, but wore jeans which I found out was taboo at the country club.  He took me back to his house and gave put on a pair of his slacks.  I was a size 32, and he was a shorter man who wore size 38.  I was quite a sight, but I didn’t care.

Bob’s passing saddened me because he was my last link to the “old school” filmmakers I so loved.  

 

My good friend, Steve Durbin, recently told me, “Remember those old film guys we loved to hear stories from?”…“Now we’re those old film guys.” 

 

Robert L. Lippert, Jr. Filmography:

Massacre (1956) Producer

The Black Pirates (1954) Co-producer

The Big Chase (1954) Producer *

Fangs of the Wild (1954) Producer

Sins of Jezebel (1953) Producer

The Great Jesse James Raid (1953) Producer

Bandit Island (3-D short)  Producer, director *

The Tall Texan (1953) Assistant film editor

Hellgate (1952) Assistant film editor

The Jungle (1952) Assistant film editor

High Noon (1952) Assistant film editor

FBI Girl (1952) Assistant film editor

Pier 23 (1951) Assistant film editor

Roaring City (1951) Assistant film editor

The Danger Zone (1951) Assistant film editor

The Steel Helmet (1951) Assistant film editor

The Bandit Queen (1951) Assistant film editor

 

All except “The Black Pirates” and “Bandit Island” are available on DVD.

* “Bandit Island” was later incorporated into “The Big Chase.” 

 

These passages appeared in a previous a previous post, “The Lippert-Fox Productions/Lippert Trivia”:

 

’The Black Pirates’ (1954) was shit, and ‘Massacre’ was no good either.” — Producer, Robert L. Lippert, 

After a day of filming “Massacre” (1956) in Guatemala Producer Robert L. Lippert, Jr. was relaxing in his hotel room and heard gun shots in the room next to him. Recalling that a General was staying there, he immediately calculated it was an assassination (it was.) Lippert didn’t want to be shot as an eye witness, so he jumped out the window and ran on foot all the way to Mexico, and the cast and crew, who were staying in another hotel, departed by plane.

Again during the filming of “Massacre,” Lippert, Jr. said he was on location in a rural town where he found the electrical power was at best unreliable. Of course power was essential. To proceed with filming he went to the local airport, such as it was, which was powered by a generator. He paid off government officials to obtain the airport generator during the daytime hours. Daytime air operations ceased, and each night the generator was returned to the airport thus enabling planes to once again take off and land.

There wasn’t enough money in the production budget to afford a pirate ship in “The Black Pirates” (1954), so the movie begins with the “pirates” arriving on shore in a row boat. They never leave land for the entire movie.

 

Visit our website to order DVDs from the Kit Parker Films Collection –

www.sprocketvault.com

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 “Watch Horror Films – Keep America Strong” – Bob Wilkins

 

KTVU, Channel 2 in Oakland, California, was one of the nation’s powerhouse independent television stations.   I started watching in the late 1950s/early 1960s when they aired cool (to a kid) live shows such as Captain Satellite, Roller Derby, and National All-Star Wrestling.  But movies were consistently their ratings grabbers.  In 1986 KTVU became part of the Fox Network and, of course, its programming forever changed. 

 

KTVU fixtures I was happy to have met…

 

BOB WILKINS

 

 

“Don’t stay up late, it’s not worth it”

 

From 1971 to 1979, Bob Wilkins, the cigar-chomping, dead-pan humored, host of Channel 2’s “Creature Features,” whose deprecating comments about his program’s library of grade B and Z horror and science fiction films were irresistible. (He did show some good movies, too).  One of his hallmarks was to recommend that his viewers not watch his movie, but change to another channel.  He even read the TV Guide listings of opposing programs!  Sponsors were ticked off until they found out that his gimmick jacked up ratings.  I, for one, found his approach irresistible, although one viewing of “Creature from the Haunted Sea” was enough.

 

“This movie has two things going for it…it’s in color and they speak the English language.”

 

Bob interviewed big-time horror and sci-fi icons like William Shatner, Leonard Nimoy, Ray Harryhausen and Christopher Lee.   I first time I met Bob in 1972 when he invited me to be a guest on his show.   Thank god he put me at ease with his low-key bedside manner as I’d never been on television before, much less a show with so many viewers.   He must have liked me because he had me as a guest several times, and I was always grateful for the plugs. 1979 Bob called it quits at KTVU, although he continued with his Sacramento “Creature Features” show on KCRA a few more years.  Bob was a very funny guy, with a wonderful, wry sense of humor, and that voice…I can still hear him say…

 

“Well, that’s it. I told you it’s bad!”

 

BOB SHAW

 

Bob Shaw was one of the nicest, most knowledgeable, and unpretentious film critics I’ve ever met.  Before he was hired by KTVU, he was already working gratis behind the scenes at “Creature Features,” providing Bob Wilkins with trivia for the show.  In 1977 Bob W. talked Channel 2’s film director, Jim Skinner, into hiring Bob Shaw as a film editor.  Later Bob Shaw became the station’s film critic, and he was one of the best.  The stars he interviewed invariably liked (some adored) him, and that interviewer-interviewee connection made his movie critiques that much better.   

 

Bob and I met in the early 1970s while I was a guest on “Creature Features.”  We both were 16mm film buffs, so spoke the same language, but we didn’t have much time to talk because he was nervously running around the set making sure props were in order.  We spoke on the phone a few times through the later 1970s, but I didn’t see him again until the early 1980s when he had been working as a film editor.   KTVU ran lots of movies, so he was in movie buff heaven.   When the station first let him review a new movie on-camera, he was not too sure of himself, as anyone in the same situation would be, but it was clear from the very beginning he was going to be one of the best.  And he was.

 

We lost both Bob Wilkins and Bob Shaw in 2009.

www.bobwilkins.net

Visit our website to order DVDs from the Kit Parker Films Collection –

www.sprocketvault.com

Keep up to date with our new Sprocket Vault releases by liking us on Facebook www.facebook.com/sprocketvault/

Also, be sure to subscribe to our YouTube channel:

https://www.youtube.com/channel/UCLHjjG-o5Ny5BDykgVBzdrQ .

 


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