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Posts Tagged ‘20th Century Fox

30 Margia Glam 2 (2)

“I’d like to see a big star shoot a movie with no retakes.”  — Margia Dean

 

Margia (pron. Mar-Juh) Dean was born Marguerite Louise Skliris to Greek parents in Chicago on April 7, 1922.

 

Her hair is now white, but her charm, sophistication and sense of humor haven’t changed since the heyday of her film career.

 

By age seven she was earning money as a stage actress, playing Little Eva in “Uncle Tom’s Cabin,” Becky Thatcher in “Tom Sawyer,” Mytle in “The Blue Bird,” and winning scholarships in two dramatic schools.  In 1937, she won the Women’s National Shakespeare Contest for her role as Juliet in the production of “Romeo and Juliet.”

 

Margia became a model, and was named “Miss San Francisco,” “Miss California,” and a runner-up in the 1939 “Miss America Pageant” where she won first prize in the talent category for a dramatic reading (still has the trophy!)  She appeared in several films in small roles and, played Police Officer Mary Faelb in the 1950 ABC TV series, “Dick Tracy,” had a featured role in the Columbia serial, “The Desert Hawk” (1944), and was Andy Clyde’s foil in “Love’s A-Poppin” (Columbia/1953).

 

In 1945, Margia scored the second lead in the stage version of Victor Herbert musical “The Only Girl,” which played at the then prestigious Biltmore Theater in Los Angeles.  She received terrific reviews. Alfred Hitchcock came backstage and offered her a featured role in “Notorious” (Vanguard-RKO/1946), but she couldn’t accept due to a run of the play contract which necessitated her going on the road for several months.

 

In 1947, Margia’s controversial agent, Frank Orsatti, secured her a bit role in the Gene Kelly M-G-M musical, “Living in a Big Way” (1947).  Orsatti convinced studio chief, Louis B. Mayer, to sign Margia to a contract.  Unfortunately, Orsatti dropped dead of a heart attack the day of the appointment!

 

Margia was introduced to exhibitor and B-movie producer, Robert L. Lippert, in 1948 by a mutual producer-friend.  Lippert gave her the female lead in “Shep Comes Home” (Screen Guild/1948.)

 

Subsequently, she appeared in a series of low-budget Lippert (I’m being redundant) productions, and mastered the “one take” 50 – 75 set-ups a day that were de rigueur for the Lippert organization.

 

Lippert became obsessed with Margia, and kept her working in his pictures where she became known as “Queen of Lippert.”

 

By the early 1950s Lippert and Margia began an on-again-off-again affair that lasted ten years. In an effort to keep her from straying from his studio and him, Lippert deliberately thwarted opportunities that would have allowed her to appear in major studio films.

 

Margia told me that she regrets being involved with a married man.  However, he was already known as a womanizer.  He didn’t get a divorce because he didn’t want to give up millions.  She said that Lippert’s first love was money, and he would never have put her in a picture if it jeopardized ticket sales, and if he didn’t hire her he would have to find someone else to work for the same pay.  Indeed, she generated respectable reviews from those critics who bothered to review B-movies.  Margia was a competent actor and audiences liked her.

 

Producer, Hal Wallis, was interested in signing Margia and asked Lippert to send over footage of her for him to screen.  Lippert provided outtakes, which ended the interest from the veteran producer.  Margia didn’t know until later.

 

Fellow Greek, Spyros Skouras, recommended her to director Michael Curtiz, as “Nefir” in “The Egyptian” (Fox/1954), but Bella Darvi had just been cast.  Skouras, was erroneously attributed as Margia’s lover in at least one blog, probably because she dated Plato Skouras, Spyros’ son.

 

Margia is best known as Judith Carroon in the Hammer Film Production, “The Quatermass Xperiment” (US title: “The Creeping Unknown”) (UA/1955), and her credits are readily available on IMDb.

 

She also made guest appearances on TV’s “Arthur Godfrey’s Talent Scouts,” “Conrad Nagel’s Celebrity Time,” “Public Prosecutor,” and others, plus various commercials including for Betty Crocker, Cadillac, and Phillips Milk of Magnesia.

 

Margia told me she appeared in one of the first coast-to-coast live dramas in the early 1950s, but can only recall that one of the “Bowery Boys” was in it. [Anyone know what it might have been?]

 

In 1958 she co-starred with Scott Brady in the RegalScope production, “Ambush and Cimarron Pass,” released through Fox, and received billing over a young Clint Eastwood, a subject she and Eastwood laughed about 40 years later at a Hollywood function.

 

Later in 1958, Lippert’s output was elevated to “A-“ CinemaScope pictures for Fox.  Margia produced one of them, “The Long Rope” (1961), with Hugh Marlowe.  According to Margia, the film’s director, William Witney, objected to having a female producer, but mellowed his stance when she brought it in on time and budget.

 

Margia co-starred in both “Villa!!” (Fox/1958), with Brian Keith, where she also sang two songs (and wrote additional lyrics), and “Secret of the Purple Reef” (Fox/1960), with Peter Falk.

 

In 1964, after associate-producing “The Horror of it All” (Fox/1964), directed by Terence Fisher, and starring Pat Boone, Margia met a Spanish architect who had been living in Brazil, Felipe Alvarez.

 

At the time, Felipe, who is fluent in four other languages, had limited English skills (Margia spoke Spanish) They met at a night club on the Sunset Strip where he sang. Subsequently, Margia invited him to perform at a party for Mexican celebrities.  The couple fell in love and married later that year.  They are happily married to this day, and he still occasionally sings professionally.

 

Lippert tried to get Margia to break off with Felipe, and offered her money and gifts, including a ruby brooch (all of which she returned), uncharacteristic of the penurious Lippert.  He used to tell people he purchased a house for Margia, which is untrue.   She sold her home and built a luxurious home above the Sunset Strip, which she completely paid for.

 

Although Walter Winchell praised her in his column, Lippert, who knew all of the producers and exhibitors, successfully blackballed her from making films.

 

Lippert used his considerable influence to concoct a scheme to deport Felipe, but was ultimately unsuccessful.  However, he did succeed in getting Felipe fired from an architectural firm. Then he began a series of attempts to ruin the newlyweds financially.  Margia lost a restaurant she owned in Beverly Hills, a dress shop in Brentwood, and he went so far as to have a “contract” put out on Felipe’s life! Through a very good friend (producer Jack Leewood) Margia discovered his nefarious plan, and called the police so fortunately it went no further.

 

Years later he told Margia, “I had no idea, my attorney must have done it!,” and “I have you in my will for $200,000,” both of which were lies.

 

By the mid-60s, Fox decided there was no need for the type of product Lippert produced, and didn’t renew his contract.  His phone stopped ringing. Having lost both his producer position, and Margia, he headed back to the Bay Area and returned to his first love, his theatre circuit.

 

Upon his passing, Lippert’s secretary called Margia and said, “Mr. Lippert wanted you to be the first to know”.

 

Margia told me she was sorry to have made B-movies because it kept her from being assigned “A” roles.  I disagree.  Lots of A-list actors appeared in B-movies; it was a string of bad luck; the loss of the “Notorious” and “The Egyptian” roles, and especially Frank Orsatti’s death, the Hal Wallis sabotage and, of course, Lippert’s blackballing.  The B-movie part of the equation was  not the problem per se, it was the ones she was in were produced by Robert L. Lippert.

 

Fortunately, Margia went on to have successful careers, most notably in real estate, where she became vice-president of a major Los Angeles firm.

 

 

Margia Dean starring, or featuring Margia Dean in the cast and owned by Kit Parker Films.

(*) Available on DVD from http://www.sprocketvault.com

 

SHEP COMES HOME (1946)

I SHOT JESSE JAMES (1949) *

RIMFIRE (1949) *

GRAND CANYON (1949)

RINGSIDE (1949) *

TREASURE OF MONTE CRISTO (1949) *

TOUGHT ASSIGNMENT (1949) *

RED DESERT (1949)

THE BARON OF ARIZONA (1950) *

WESTERN PACIFIC AGENT (1950) *

MOTOR PATROL (1950) *

HI-JACKED (1950) *

THE RETURN OF JESSE JAMES (1950) *

THE BANDIT QUEEN (1950) *

FINGERPRINTS DON’T LIE (1951) *

MASK OF THE DRAGON (1951) *

TALES OF ROBIN HOOD (1951) *

PIER 23 (1951) *

KENTUCKY JUBILEE (1951) *

SAVAGE DRUMS (1951) *

LEAVE IT TO THE MARINES (1951) *

SKY HIGH (1951) *

F.B.I. GIRL (1951) *

LOAN SHARK (1952) *

FANGS OF THE WILD (1954) *

THE LONESOME TRAIL (1955) *

 

To order on DVD, visit our site –

www.sprocketvault.com

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Also, be sure to subscribe to our YouTube channel:

https://www.youtube.com/channel/UCLHjjG-o5Ny5BDykgVBzdrQ .

 

 

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Who produced or co-produced almost 250 feature films and is virtually unknown today?

That man is Robert L. Lippert (1909-1976), who did just that in 25 years, from 1945-1969.

Between 1945-1956 he also distributed more than 100 of his own productions (most of which are owned by my company, Kit Parker Holdings, LLC) and another 100 films produced by others.

Compiling this filmography more difficult because some Lippert films made after 1959 were not credited to any of his production companies.

Titles in bold are Lippert productions or co-productions.  The rest were produced by others and only distributed by Lippert.

Key: R: Reissue, D: Distributor only, TV: Independent production purchased outright by Lippert expressly for use on television.

Distributors: LP: Lippert Pictures, SG: Screen Guild Productions (subsequently known as  Lippert Pictures), RS:  RegalScope (Regal Films), API: Associated Producers, Inc., Fox: 20th Century-Fox, ARC: American Releasing (later known as AIP, American International Pictures), WB: Warner Bros. RS and API are Lippert production companies financed by Fox.

“Hammer”:  Lippert Pictures-Exclusive Films/Hammer Films co-productions

Italicized titles are owned by Kit Parker Films and available on DVD from http://www.sprocketvault.com

 

  • 13 FIGHTING MEN (1960) API-Fox
  • 20,000 EYES (1961) API-Fox
  • ABDUCTORS, THE (1957) RS-Fox
  • ABOMINABLE SNOWMAN, THE (1957) Buzz Productions/Hammer, Fox
  • ACTORS AND SIN (1952) Limited TV distribution rights only, LP-D
  • AIR PATROL (1962) API-Fox
  • AIR STRIKE  (1955) LP
  • ALASKA PASSAGE (1959) API-Fox
  • ALI BABA NIGHTS (R-1953) UK: Chu Chin Chow, 1934, LP-D
  • ALLIGATOR PEOPLE, THE (1959) API-Fox
  • AMBUSH AT CIMARRON PASS (1958) RS-Fox
  • APACHE CHIEF (1950) LP
  • APACHE WARRIOR (1957) RS-Fox
  • ARSON, INC. (1950) LP
  • AS YOU WERE (1951) LP
  • BACHELOR IN PARIS (1952) UK: Song of Paris, LP-D
  • BACK DOOR TO HELL (1964) US-Philippines, Fox
  • BACK FROM THE DEAD (1957) RS-Fox
  • BAD BLONDE (1953) UK: Flanagan Boy, Hammer, LP
  • BADLANDS OF MONTANA (1957) RS-Fox
  • BANDIT ISLAND (1953) 3-D Short Subject, LP
  • BANDIT QUEEN, THE (1950) LP
  • BAR 20 JUSTICE (R-1947) 1938, SG-D
  • BARON OF ARIZONA, THE (1950) LP  (DVD: Criterion Collection) *
  • BATTLE AT BLOODY BEACH, THE (1961) Fox
  • BELLS OF SAN FERNANDO (1947) SG
  • BIG CHASE, THE (1954) LP
  • BIG SHOW, THE (1961) API-Fox
  • BLACK GLOVE, THE (1954) UK: Face the Music, Hammer, LP
  • BLACK PIRATES, THE (1954) US-Mexico, LP
  • BLACK WHIP, THE (1956) RS-Fox
  • BLACKOUT (1954) UK: Murder by Proxy, Hammer, LP
  • BLOOD AND STEEL (1959) API-Fox
  • BLOOD ARROW (1958) RS-Fox
  • BORDER RANGERS (1950) LP
  • BORDER VIGILANTES (R-1946) 1941, SG-D
  • BORDERLAND (R-1946) 1937, SG-D
  • BOY! WHAT A GIRL! (1947) SG-D
  • BROKEN LAND (1962) API-Fox
  • BUFFALOBILL RIDES AGAIN (1947) SG-D
  • BURNING CROSS, THE (1947) SG-D
  • BUSH PILOT (1947) SG-D
  • CABINET OF CALIGARI (1962) LP-Fox
  • CALL IT MURDER (R-1947) Orig.: Midnight, 1934, SG-D
  • CALL OF THE FOREST(1949) LP-D
  • CAPTAIN KIDD (R-1952) 1945, LP-D
  • CASE OF THE BABY SITTER (1947) Featurette, SG
  • CASSIDY OF BAR 20 (R-1947) 1938, SG-D
  • CATTLE EMPIRE (1958) Fox
  • CHINA GATE (1957) Fox
  • COLLEGE CAPERS (1953) 3D short subject, LP
  • COLORADO RANGER – TV: Guns of Justice (1950) LP
  • COME BE MY VICTIM, half-hour TV abridgement of Danger Zone (1951), LP
  • CONVICTS AT LARGE (1938) LP-TV
  • COPPER SKY (1957) RS-Fox
  • COWBOY, THE (1954) LP
  • CREEPING UNKNOWN, THE (1965) UK: Quatermass Xperiment, Hammer, UA
  • CROOKED RIVER – TV: The Last Bullet (1950) LP
  • CURIOUS ADVENTURES OF MR. WONDERBIRD, THE (1953) France: Bergère et le ramoneur, 1952, Dubbed, LP-D
  • CURSE OF THE FLY (1965) Fox
  • DALTON GANG, THE (1949) LP
  • DANGER ZONE (1951) LP
  • DAY IN THE COUNTRY, A (1953) 3-D short subject filmed in 1941 as Stereo-Laffs, LP-D
  • DAY MARS INVADED EARTH, THE (1963) API-Fox
  • DEADLY GAME, THE (1954) UK, Third Party Risk, Hammer, LP
  • DEATH VALLEY (1947) SG
  • DEERSLAYER, THE (1958) Fox
  • DEPUTY MARSHAL (1949) LP
  • DESERT HELL (1958) RS-Fox
  • DESIRE IN THE DUST (1960) Fox
  • DESPERADOES ARE IN TOWN, THE (1956) RS-Fox
  • DOG OF FLANDERS, A (1959) Fox
  • DRAGON OF DEATH, half-hour TV abridgement of Mask of the Dragon (1951), LP
  • EARTH DIES SCREAMING, THE (1964) UK, Fox
  • ENEMY FROM SPACE (1957) UK, Quatermass 2, UA
  • ESCAPE FROM RED ROCK (1957) RS-Fox
  • EVERYBODY’S DANCIN’ (1950) LP
  • FAMILY AFFAIR (1956) UK: Life with the Lyons, 1954, LP-D
  • FANGS OF THE WILD aka Follow the Hunter (1954) LP
  • FAST ON THE DRAW – TV: Sudden Death (1950) LP
  • FBI GIRL (1951) LP
  • FELICIA (1964) API-Fox
  • FINGERPRINTS DON’T LIE (1951) LP
  • FINGERPRINTS, half-hour TV abridgement of Fingerprints Don’t Lie (1951), LP
  • FIRE ALARM (1932) Orig.: Flames  LP-TV
  • FIREBRAND, THE (1962) API-Fox
  • FIVE GATES TO HELL (1959) Fox
  • FLAMING FRONTIER  (1958) Canada, Fox
  • FLESH AND LEATHER, half-hour TV abridgement of Stop That Cab (1951), LP
  • FLIGHT TO FURY (1964) US-Philippines, Feature Film Corp. of America
  • FLIGHT TO NOWHERE (1947) SG
  • FLY, THE (1958)
  • FORTUNE IN DIAMONDS, A (1951)UK: The Adventurers, LP-D
  • FORTY GUNS (1957) Fox
  • FRANCIS OF ASSISI (1961) API provided guided only, Fox
  • FRECKLES (1960) API-Fox
  • FRONTIER GAMBLER (1956) ARC
  • FRONTIER GUN (1958) RS-Fox
  • FRONTIERSMEN, THE (R-1947) 1938, SG-D
  • FROZEN ALIVE (1964) Germany: Der Fall X701, Feature Films of America
  • G.I. JANE (1951) LP
  • GAMBLER AND THE LADY (1952) UK, Hammer, LP
  • GANG WAR (1958) RS-Fox
  • GHOST DIVER (1957) RS-Fox
  • GHOST SHIP (1952) UK, 1951, LP-D
  • GIRL FROM CALGARY, THE (1932)  LP-TV
  • GLASS TOMB, THE (1955) UK: The Glass Cage, Hammer, LP
  • GOD IS MY PARTNER (1957) RS-Fox
  • GOD’S COUNTRY (1947) SG
  • GRAND CANYON (1949) LP
  • GREAT JESSE JAMES RAID, THE (1953) LP
  • GREAT WHITE HUNTER, THE (R-1953) Orig.: The Macomber Affair,1947, LP-D
  • GUNFIRE (1950) LP
  • HAND OF DEATH , THE (1962) API-Fox
  • HARBOR LIGHTS (1963) API-Fox
  • HARPOON (1948) SG-D
  • HAT BOX MYSTERY, THE (1947) Featurette, SG
  • HEART OFARIZONA(R-1948) 1938, SG-D
  • HEAT WAVE (1954) UK, House Across the Lake, Hammer, LP
  • HELL HARBOR(1930)  LP-TV
  • HELL ON DEVIL’S ISLAND (1957) RS-Fox
  • HELLGATE (1952) LP-D
  • HER ENLISTED MAN (R-1935) Orig.: Red Salute,1935, SG-D
  • HERE COME THE JETS (1959) API-Fox
  • HIDDEN GOLD (R-1948) SG-D
  • HIGH POWERED RIFLE, THE (1960) Fox
  • HIGHWAY 13 (1948) SG
  • HI-JACKED (1950) LP
  • HILLS OF OLDWYOMING(R-1946) 1937, SG-D
  • HOLIDAY RHYTHM (1950) LP
  • HOLLYWOODBARN DANCE (1947) SG-D
  • HOLLYWOODTHRILL-MAKERS (1954) LP-D
  • HOLLYWOOD VARIETIES (1950) LP
  • HOPALONG CASSIDY ENTERS (R-1946) Orig.: Hop-a-long Cassidy, 1935, SG-D
  • HOPALONG CASSIDY RETURNS (R-1946) 1936, SG-D
  • HOPALONG RIDES AGAIN (R-1946) 1937, SG-D
  • HORROR OF IT ALL, THE (1964) UK, Fox
  • HOSTILE COUNTRY – TV: Outlaw Fury (1950) LP
  • HOUSE OF THE DAMNED (1963) API-Fox
  • I SHOT BILLY THE KID (1950) LP
  • I SHOT JESSE JAMES (1949) LP (DVD: Criterion Collection)
  • I’LL GET YOU (1953) UK: Escape Route, LP
  • IN OLD MEXICO(R-1948) 1938, SG-D
  • IRON MASK, THE (R-1953) 1929, Silent, with added sound track, LP-D
  • IT HAPPENED IN ATHENS (1962) Fox
  • JEWELS OF JEOPARDY, half-hour TV abridgement of The Roaring City (1951), LP
  • JOHNNY THE GIANT KILLER (1953) France, Jeannot l’intrépide, Dubbed, LP-D
  • JUNGLE GODDESS (1948) SG
  • JUNGLE, THE (1952) LP
  • KENTUCKY JUBILEE (1951) LP
  • KILLER DILL (1947) SG-D
  • KING DINOSAUR (1955) LP
  • KING OF THE TURF (R-1948) 1939, SG-D
  • KRONOS (1957) RS-Fox
  • LAST MAN ON EARTH (1964) Italy-USA, AIP
  • LAST OF THE WILD HORSES, THE  (1948) LP
  • LAST SHOT YOU HEAR (1969) UK, Fox
  • LAW OF THE PAMPAS (R-1948) 1939, SG-D
  • LAW OF THE SEA (1931)  LP-TV
  • LEAVE IT TO THE MARINES (1951) LP
  • LIMPING MAN, THE (1953) UK, LP-D
  • LITTLE BIG HORN (1951) LP
  • LITTLE SAVAGE (1959) US-Mexico, API-Fox
  • LITTLE SHEPERD OF KINGDOM COME (1961) API-Fox
  • LOAN SHARK (1952) LP
  • LONE TEXAN (1959) RS-Fox
  • LONESOME TRAIL, THE (1955) LP
  • LONG FALL, THE, half-hour TV abridgement of Pr 23 (1951), LP
  • LONG ROPE, THE (1961) API-Fox
  • LOST CONTINENT, THE (1951) LP
  • LURE OF THE SWAMP (1957) RS-Fox
  • MAN BAIT (1952) UK: The Last Page, Hammer, LP
  • MAN FROM CAIRO, THE (1953) Italy-UK-USA, Guidance only, LP
  • MARCH OF THE WOODEN SOLDIERS (R-1950) Orig.: Babes in Toyland, 1934, LP-D
  • MARK OF THE LASH (1948) SG-D
  • MARSHAL OF HELDORADO – TV: Blazing Guns (1950) LP
  • MASK OF THE DRAGON (1951) LP
  • MASSACRE (1956) Fox
  • MIRACLE INHARLEM(1948) SG-D
  • MISS ANNIE ROONEY (R-1948) 1942, SG-D
  • MISSING WITNESS, THE, half-hour TV abridgement of Fingerprints Don’t Lie (1951), LP
  • MONSTER FROM THE OCEAN FLOOR (1954) LP-D
  • MORO WITCH DOCTOR (1964) Philippines: Amok, API-Fox
  • MOTOR PATROL (1950) LP
  • MOZART STORY (1948) Germany-Austria: Wen die Gotter lieben, Dubbed, SG-D
  • MR. ROBINSON CRUSOE (R-1953) LP-D
  • MR. WALKIE TALKIE (1952)
  • MURDER GAME (1965) UK, LP-Fox
  • MURDER, INC. (1960) Fox
  • MY DOG SHEP (1947) SG
  • NAVAJO (1952) LP-D
  • NIGHT TRAIN TO PARIS (1964) UK, Fox
  • NORMAN CONQUEST (1953) UK:MarkPlaza605, LP-D
  • NORTH OF THE BORDER (1947) Featurette, SG
  • NORTH OF THERIO GRANDE (R-1946) 1937, SG-D
  • NORTHWEST TRAIL (1945) SG
  • OMOO-OMOO THE SHARK GOD (1949) LP-D
  • ON FOUR WHEELS, half-hour TV abridgement of Stop That Cab (1951), LP
  • OPERATION HAYLIFT (1950) LP
  • OREGON TRAIL (1959) Fox
  • ORIENTAL CLUE, THE half-hour TV abridgement of Mask of the Dragon (1951), LP
  • OUTLAW COUNTRY (1949) SG
  • OUTLAW WOMEN (1952) LP-D
  • OUTLAWS IN THE DESERT (R-1946) 1941, SG-D
  • PAID TO KILL (1954) UK, Five Days, Hammer, LP-D
  • PARTNERS OF THE PLAINS (R-1948) 1938, SG-D
  • PERILS OF THE JUNGLE (1953) LP -D
  • PHANTOM OF THE JUNGLE (1955) LP-D
  • PIER 23 (1951) LP
  • PIER OF PERIL, half-hour TV abridgement of Pier 23 (1951), LP
  • PIRATE SUBMARINE (1952) France: Casabianca,1951, dubbed, LP-D
  • PIRATES ON HORSEBACK (R-1946) 1941, SG
  • PRAIRIE, THE (1947) SG-D
  • PLUNDER ROAD (1957) RS-Fox
  • POLICE COURT (1932)  LP-TV
  • POLICE NURSE (1963) API-Fox
  • PRIDE OF THE WEST (R-1947) 1938, SG-D
  • PROJECT MOON BASE (1953) LP-D
  • PURPLE HILLS, THE (1961) API-Fox
  • QUEEN OF SHEBA, THE (1952) Italy: La Regina di Saba, 1952, Dubbed, LP-D
  • QUEEN OF THE AMAZONS (1947) SG
  • QUIET GUN, THE (1957) RS-Fox
  • RACE FOR LIFE (1954) UK: Mask of Dust, Hammer, LP
  • RACKETEERS (R-1948) Orig.: People’s Enemy, 1935, SG-D
  • RADAR SECRET SERVICE (1950) LP
  • RAIDERS FROM BENEATH THE SEA (1964) Fox
  • RANGE WAR (R-1948) 1938, SG-D
  • RED DESERT (1949) LP
  • RENEGADE GIRL (1947) SG
  • RENEGADE TRAIL (R-1948) 1939, SG-D
  • RETURN OF GILBERT AND SULLIVAN, THE (1952) (Short Subject)UK, LP-D
  • RETURN OF JESSE JAMES, THE (1950) LP
  • RETURN OF MR. MOTO (1965) UK, Fox
  • RETURN OF THE FLY (1959) API-Fox
  • RETURN OF WILDFIRE, THE (1948) SG
  • RIDE A VIOLENT MILE (1957) RS-Fox
  • RIDERS OF THE TIMBERLINE (R-1946) 1941, SG-D
  • RIMFIRE (1948) LP
  • RINGSIDE (1949) LP
  • RIVER BEAT (1954) UK, LP
  • ROAD TO THE BIG HOUSE (1947) SG-D
  • ROARING CITY (1951) LP
  • ROCKABILLY BABY (1957) RS-Fox
  • ROCKETSHIP X-M (1950) LP
  • ROLLING HOME (1947) SG
  • ROOKIE, THE (1959) (oversaw production) Fox
  • RUSTLER’S VALLEY (R-1946) 1937, SG-D
  • S.O.S. SUBMARINE (1948) Italy: Uomini sui fondo, 1941, Dubbed, SG-D
  • SAD HORSE, THE (1959) API-Fox
  • SANTA FE MARSHAL (R-1948) 1940, SG-D
  • SAVAGE DRUMS (1951) LP
  • SCARED TO DEATH (1947) SG
  • SCOTLAND YARD INSPECTOR (1952) UK: Lady in the Fog, Hammer, LP
  • SECRET OF THE PURPLE REEF, THE (1960) API-Fox
  • SECRET OF THE WASTELANDS (R-1946) 1941, SG-D
  • SECRET PEOPLE, THE (1952)UK, LP-D
  • SEPIA CINDERELLA (1947) SG-D
  • SEVEN WOMEN FROM HELL (1961) API-Fox
  • SHADOW MAN, THE (1953) UK: Street of Shadows, Hammer, LP
  • SHE DEVIL (1957) RS-Fox
  • SHEP COMES HOME (1948)
  • SHOOT TO KILL (1947) SG-D
  • SHOWDOWN AT BOOT HILL (1958) RS-Fox
  • SHOWDOWN AT SUNUP (1949) Short subject, LP
  • SIEGE, THE (1954)Spain, 1950, Agustina de Aragón, 1950, dubbed, LP-D
  • SIERRA BARON (1958) Fox
  • SILENT CALL, THE (1961) API-Fox
  • SILENT RAIDERS (1954) LP-D
  • SILVER ON THE SAGE (R-1947) 1939, SG-D
  • SILVER STAR (1955) LP
  • SIMBA (1955) LP-D
  • SINS OF JEZEBEL (1953) LP
  • SISTERS IN CRIME, half-hour TV abridgement of The Roaring City  (1951), LP
  • SKY HIGH (1951) LP
  • SKY LINER (1949) LP
  • SLASHER, THE (1953) UK: Cosh Boy, LP-D
  • SLIGHTLY DANGEROUS (1950)UK, LP-D
  • SNIPER’S RIDGE (1961) API-Fox
  • SON OF A BADMAN (1949) LP-D
  • SON OF BILLY THE KID (1948) LP-D
  • SON OF ROBIN HOOD (1958) Fox
  • SPACE MASTER X-7 (1958) RS-Fox
  • SPACEWAYS (1953) UK, Hammer, LP
  • SQUARE DANCE JUBILEE (1949) LP
  • STAGECOACH TO FURY (1956) RS/Fox
  • STAGECOACH WAR (R-1948) 1940, SG-D
  • STEEL HELMET, THE (1951) LP (DVD: Criterion Collection)
  • STICK TO YOUR GUNS (R-1946) 1941, SG-D
  • STOLEN FACE (1952) UK, Hammer, LP
  • STOP THAT CAB (1951) LP
  • STORM RIDER, THE (1957) RS-Fox
  • STREET IS MY BEAT, half-hour TV abridgement of Stop That Cab (1951), L
  • STRONGHOLD (1952) Mexico-USA co-production, LP-D
  • SUNSET TRAIL (R-1947) 1939, SG-D
  • SUPERMAN AND THE MOLE-MEN (1952) LP
  • SURF PARTY (1964) API-Fox
  • SWINGIN’ ALONG aka Double Trouble aka Johnny One Note (1961) Fox
  • TALES OF ROBIN HOOD (1951) LP
  • TALL LIE aka For Men Only (1952) LP
  • TALL TEXAN, THE (1953) LP
  • TERROR SHIP (1954)UK: Dangerous Voyage, LP-D
  • TERROR STREET (1953) UK: 36 Hours, Hammer, LP
  • TESS OF THE STORM COUNTRY (1960) Fox
  • TEXAS TRAIL (R-1947) 1937, SG-D
  • THAT TENNESSE BEAT (1966) Fox
  • THAT’S MY BOY aka Forbidden Music (R-1948)UK: Land Without Music, 1936, LP-D
  • THERE IS NO ESCAPE (1948) SG-D
  • THEY WERE SO YOUNG (1954) W. Germany-USA, LP
  • THIRD VOICE, THE (1960) Fox
  • THREE DESPERATE MEN (1951) LP
  • THREE MEN FROM TEXAS(R-1946) 1940, SG-D
  • THUNDER IN THE PINES (1948) SG
  • THUNDER ISLAND (1963) API-Fox
  • THUNDER OVER SANGOLAND (1955) LP-D
  • THUNDER PASS (1954) LP
  • THUNDERING JETS (1958) RS-Fox
  • TOUGH ASSIGNMENT (1949) LP
  • TRAIL DUST (R-1946) 1936, SG-D
  • TRAIL OF THE MOUNTIES (1947) Featurette, SG
  • TRAIN TO TOMBSTONE (1950) LP
  • TREASURE OF MONTE CRISTO (1949) LP
  • TROMBA: THE TIGERMAN (1952)Germany: Tromba, 1949, Dubbed, LP-D
  • TWELVE HOURS TO KILL (1960) API-Fox
  • TWILIGHT ON THE TRAIL (R-1946) 1941, SG-D
  • TWILIGHT WOMEN (1953) UK: Women of Twilight, TV title: Another Chance, LP-D
  • TWO LITTLE BEARS (1961) Fox
  • UNDER FIRE (1957) RS-Fox
  • UNDERCOVER AGENT (1953)UK: Counterspy, LP-D
  • UNHOLY FOUR, THE (1954) UK: The Stranger Came Home, Hammer, LP
  • UNKNOWN TERROR, THE (1957) RS-Fox
  • UNKNOWN WORLD (1951) LP-D
  • VALLEY OF THE EAGLES (1951)UK:ValleyofEagles, LP-D
  • VALLEY OF THE REDWOODS (1960) API-Fox
  • VARIETIES ON PARADE (1951) LP
  • VILLA (1958) Fox
  • WALK A TIGHTROPE (1964) US-UK, API-Paramount
  • WALK TALL (1960) API-Fox
  • WAYNE MURDER CASE, THE (1932) Orig.: A Strange Adventure  LP-TV
  • WE WANT A CHILD! (1954)Denmark: Viv vil ha’ et bam, Dubbed, LP-D
  • WEST OF THE BRAZOS (1950) LP
  • WESTERN PACIFIC AGENT (1950) LP
  • WHERE THE NORTH BEGINS (1947) Featurette, SG
  • WHITE FIRE (1954)UK: Three Steps to the Gallows, 1953, LP-D
  • WHITE GODDESS (1953) LP-D
  • WHITE PHANTOM (1949) Short subject, LP
  • WIDE OPEN TOWN(R-1946) 1941, SG-D
  • WILD ON THE BEACH (1965) Fox
  • WILDFIRE (1945) SG
  • WINGS OF DANGER (1952) UK; Dead on Course, Hammer, LP
  • WITCHCRAFT (1964) UK, Fox
  • WOLF DOG (1958) RS-Fox
  • WOMAN WHO WOULDN’T DIE, THE (1965) UK, WB
  • WOMANHUNT aka WOMAN HUNT (1962) API-Fox
  • WOMEN OF PITCAIRN ISLAND, THE (1956) RS-Fox
  • YELLOW CANARY, THE (1963) Fox
  • YES SIR, MR. BONES! (1951) LP
  • YOUNG AND DANGEROUS (1957) RS-Fox
  • YOUNG GUNS OF TEXAS (1962) API-Fox
  • YOUNG JESSE JAMES (1960) API-Fox
  • YOUNG SWINGERS, THE (1963) API-Fox

Sources:  Motion Picture Herald, Film Daily Yearbook,U.S. Copyright Office, Maury Dexter, Robert L. Lippert, Jr. and the Kit Parker Films-Lippert Collection at the Margaret Herrick Library, Academy of Motion Picture Arts and Sciences.

Visit our website to order DVDs from the Kit Parker Films Collection –

www.sprocketvault.com

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“’The Black Pirates’ (1954) was shit, and ‘Massacre’ was no good either.”  — Producer, Robert L. Lippert, Jr.

By 1959 the Lippert/Fox/Regal Films contract was finished.  However, Fox still needed B movies, and Lippert was always the man for that job.  A new 7-year deal was struck.

The new production entity became known as “Associated Producers, Inc.” (API).  Bill Magginetti continued running the company and, of course, Bob Lippert called the shots.  When the API deal ended, “Lippert Pictures” was reactivated and produced another 10 films for Fox release.

Producer/director Maury Dexter was a pivotal figure during the Lippert-Fox years.  Dexter told me he was born into poverty during Depression-era Arkansas.  He became interested in acting, came to Los Angeles, and had a few bit parts in films, including the 3 Stooges short “Uncivil War Birds (1946), and became involved in TV and stage.  He served in Korea, and soon after was hired by Regal Films head of production, Bill Magginetti, as his assistant.   When Lippert fired Magginetti, Dexter took over.  It was a good decision as Dexter was a natural organizer, could do many things at the same time, quickly and under pressure…the prerequisites for success at Lippert!  In addition to overseeing the company, he personally produced and directed 16 feature films!

After almost two decades in production, Robert L. Lippert returned to Alameda where he died of a heart attack at the age of 67 on November 16, 1976 in Alameda, California.

Lippert Trivia:

Samuel Fuller was set to write and direct a Lippert production of “20,000 Leagues Under the Sea,” in CineColor as announced in exhibitor publications in 1949.   Walt Disney bought the project from Lippert Pictures, either because it inspired him to make his own version, which he eventually did 5 years later, or he had planned making it all along and didn’t want another version to compete against.

Robert L. Lippert entered into negotiations with the Estate of author L. Frank Baum for rights to produce a series of “Wizard of Oz” movies.  The reason he abandoned the project is lost to history.

The shortest shooting schedule of any Lippert production was one day, “Hollywood Varieties” (1950).

The runner up at 58 hours is “Highway 13” (1948).  Coincidentally, it was a 58 minute movie, so it literally took only one hour to produce one minute of screen time!

Lippert productions had a minimum of 50 daily camera set-ups.

Just to prove he could do it, producer Robert L. Lippert decided to direct a movie, “The Last of the Wild Horses” (1948.)  When production fell behind he fired himself and Paul Landres completed the film.  After that Lippert stuck to producing.   BTW, Lippert accorded himself something he never allowed other directors…an extravagant (for a Lippert production) running time of 84 minutes.

After a day of filming “Massacre” (1956) in Guatemala Producer Robert L. Lippert, Jr. was relaxing in his hotel room and heard gun shots in the room next to him.  Recalling that a General was staying there, he immediately calculated it was an assassination (it was.)  Lippert didn’t want to be shot as an eye witness, so he jumped out the window and ran on foot all the way to Mexico, and the cast and crew, who were staying in another hotel, departed by plane.

Again during the filming of “Massacre,” Lippert, Jr. said he was on location in a rural town where he found the electrical power was at best unreliable. Of course power was essential.  To proceed with filming he went to the local airport, such as it was, which was powered by a generator.  He paid off government officials to obtain the airport generator during the daytime hours.  Daytime air operations ceased, and each night the generator was returned to the airport thus enabling planes to once again take off and land.

There wasn’t enough money in the production budget to afford a pirate ship in “The Black Pirates” (1954), so the movie begins with the “pirates” arriving on shore in a row boat.  They never leave land for the entire movie.

Beloved character actor, Sid Melton, made 20 appearances in the early Lippert productions before becoming a TV mainstay.  I asked him why he was in so many, and he replied, “Mr. Lippert had faith in me.”  The fact Melton was willing to work for $140 a week may have helped. (2)

Between 1955 and 1965, Lippert co-financed and/or co-produced  four European productions not released by Fox: “The Quartermass Xperiment” U.S. title, “The Creeping Unknown” (U.K./1955), a Hammer Films production released through United Artists; “The Last Man on Earth” (Italy/1964), filmed in Rome and released by American International Pictures; “Walk a Tightrope” (U.K./1965), released through Paramount; and “The Woman Who Wouldn’t Die” (U.K./1965),  released through Warner Bros.

Margia Dean, Actress and Producer

Several years ago I met Margia Dean, still charming and beautiful, who appeared in 39 Lippert productions.

She revealed a story about Clint Eastwood who appeared with her in “Ambush at Cimarron Pass” (1958).  Years later at a Hollywood function, she ran into the by-then renowned actor-director and couldn’t resist chiding him, “Just remember, I got top billing over you!”

Here are some more fun bits she told me on June 17, 2011: “I was executive producer of ‘The Long Rope’ [1961] starring Hugh Marlowe. That was the only one for Fox. I was associate producer on a couple of others. It came in on time and made money.  I remember that I had difficulty getting respect because I was a woman [producer] and that was very rare in those days.”

“There was a scene in a little Mexican town and it was too bare, so I suggested that they have a few chickens and a stray dog for some atmosphere. Someone said “the producer wants chickens” and when I came on the set it was swarming with chickens!   The writer [Robert Hamner] told me I was the best producer he ever worked for and he worked for several big producers. I remember one was Aaron Spelling.”

I remember that the star wanted some aspirin so I asked the driver to go to the drug store and get some and he replied that according to the union he couldn’t go, he could only drive, so I went along, and got the aspirin. Then, in a cantina scene I asked the prop man to put some serapes on the wall and he said he couldn’t, I would have to hire a drapery man, so I hung them! I hired the director [for “The Long Rope”, William Witney] whom I worked for in another film (Secret of the Purple Reef) [1960] and I sensed he didn’t like taking any suggestions from me!”

* Mr. Lippert did produce, direct and or edit some good films!

The Robert L. Lippert Foundation.  Good overview with biography and filmography, the latter of which I am in the process of revising.

http://robertllippertfoundation.com

Maury Dexter interviewed by Tom Weaver in “I Talked With a Zombie”

http://www.mcfarlandpub.com/book-2.php?id=978-0-7864-4118-1

Sid Melton:

http://www.bmonster.com/profile38.html

Sources:  Conversations between Kit Parker and Robert L. Lippert, Jr., Maury Dexter, Margia Dean and Sid Melton; issues of Motion Picture Herald and Film Daily Yearbook; the Kit Parker-Lippert Collection at the Margaret Herrick Library, Academy of Motion Picture Arts and Sciences; interviews with Maury Dexter and Sid Melton by Tom Weaver in “I Talked With a Zombie” (BearManor Media, 2011).

——————–

Visit our website to order DVDs from the Kit Parker Films Collection –

www.sprocketvault.com

Keep up to date with our new Sprocket Vault releases by liking us on Facebook www.facebook.com/sprocketvault/

Also, be sure to subscribe to our YouTube channel:

https://www.youtube.com/channel/UCLHjjG-o5Ny5BDykgVBzdrQ .


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