kitparkerfilms

Posts Tagged ‘movies

Sins

The following movies were eventually released on good quality DVD’s:

 

APACHE RIFLES (Admiral-Fox/1964)

Picture and sound track were a jumbled mess. Technician at VCI eventually matched everything up.  (I still owe someone a steak dinner!)

 

THE COWBOY (Lippert/1954)

35mm color negative ruined by mold. Used 16mm color “EK” (print from the original color negative) for the DVD.  Black and white duplicate negative and color “separation negatives” survive.  BTW, I had a blast producing the commentary track with the authentic old cowboys who were the stars of the film.

 

THE GLASS TOMB (Hammer-Lippert/1955)

Original 35mm material missing. Used 35mm release print borrowed from the British Film Archive

 

THE GREAT JESSE JAMES RAID (Lippert/1954)

35mm color material missing. Used a 16mm color “EK.” 35mm black and white negative survives.

 

LIKE IT IS (Psychedelic Fever) (Lima/1968)

Missing sound track. Used audio from a bootleg VHS bought on eBay.  Sometimes pirates serve a useful purpose!

 

MAN BEAST (API/1956)

Master 35mm material was cut for release in the UK and the excised scenes scrapped. Used missing footage found in a 35mm US release print.  Scenes that were deleted prior to its US theatrical release were found in a Spanish dubbed print and are included as a Special Feature on the DVD.

 

MASSACRE (Lippert-Fox/1956)

Color camera negative survived – without titles. Used titles off a like-new 1956 16mm color print I bought from a collector on eBay.  Not the first time a film collector has saved the day.

 

MONSTER FROM THE OCEAN FLOOR (Palo Alto-Lippert/1954)

35mm sound track decomposed. Used track from 16mm Armed Forces negative, which was longer than the theatrical release version. Extra scenes are part of the DVD special features.

 

MR. DISTRICT ATTORNEY (Republic/1941)

Nitrate picture and track negative decomposed. Used a “fine grain” master print borrowed from the British Film Institute

 

OUTLAW WOMEN (Howco/1952)

Original 35mm Cinecolor material decomposed. Used mint 35mm Cinecolor print

 

SEA DEVILS (Coronado-RKO/1953)

Combined 3-strip Technicolor negatives located at Technicolour in London and restored by Canal+, owner of Eastern Hemisphere distribution rights.

 

SHOTGUN (Champion-Allied Artists/1955)

Badly faded camera negative was all that survived. VCI technician was able to bring the color back to life in a tedious process of correcting the color scene by scene. (Another steak dinner, this one due Doug at Film and Video Transfers)

 

SINS OF JEZEBEL (Lippert/1954)

Original 35mm color negative missing. Used mint 35mm AnscoColor print labeled “Roadshow Version”.  Could find no difference between the Roadshow and Regular release; not surprising given its penurious producer, Robert L. Lippert.   Note:  Fortunately AnscoColor, unlike widely used Eastman Color, does not tend to fade.

 

STRANGER ON HORSEBACK (Goldstein-UA/1955)

No color film elements known to exist. Used 35mm AnscoColor release print borrowed from the British Film Institute.  16mm black and white negative survives.

 

THUNDER IN CAROLINA (Howco/1962)

As with “Apache Rifles,” picture and sound track were a jumbled mess. Technician at VCI eventually matched everything up.  (Guess I owe three steak dinners.)

To order on DVD, visit our site –

www.sprocketvault.com

Keep up to date with our new Sprocket Vault releases by liking us on Facebook www.facebook.com/sprocketvault/

Also, be sure to subscribe to our YouTube channel:

https://www.youtube.com/channel/UCLHjjG-o5Ny5BDykgVBzdrQ .

 

Anyone interested in a bio on exhibitor/producer/distributor, Robert L. Lippert?  History kind of passed him by!

   ROBERT L. LIPPERT BIOGRAPHY

Future movie exhibitor and producer scion, Robert L. Lippert, was born March 11, 1909, and abandoned on the doorstep of the San Francisco Catholic Charities Orphanage.  He stayed at the orphanage for almost two years until he was adopted by Leonard and Esther Lippert of Alameda, California.

Lippert grew up in Alameda, and at age17 quit high school to marry his high school sweetheart, Ruth Robinson.

Capitalizing on his skill at the keyboard, he started show business as an organist for silent movies.  Through on-hand experience, he became knowledgeable about all aspects of motion picture exhibition. In 1929 he rented portable equipment and became a road showman, traveling to theatreless towns throughout the west, by then he was completely enamored by the motion picture business.

In 1936 he made an arrangement with a Detroit dish manufacturer and soon announced his greatest gimmick, “Dish Night.”  The concept called for exhibitors to give away a different dish, saucer, etc. every Tuesday over a period of 52 weeks.  Over the period of one year, the loyal movie patron would be rewarded with a complete set of dishes and, of course, countless hours of entertainment!

He toured the country selling his plan (and dishes) to exhibitors around country.  Not only did he make money, he developed relationships with exhibitors around the country…an asset to be used later when he went into motion picture distribution.

Lippert later used the same concept to promote “Book Night.”   This time inexpensive encyclopedias were given away weekly.  Miss a Tuesday and you have an incomplete set of books!

The origin of the Lippert Theatre Circuit came about in 1942 with his ground-up construction of the Grand Theatre in Richmond, California.  He particularly embraced drive-ins beginning in 1945 with the Malaga in Fresno, the first of its kind Northern California.  Eventually Lippert owned 118 theatres.

…okay, the part about his productions will follow…

Visit our website to order DVDs from the Kit Parker Films Collection –

www.sprocketvault.com

Keep up to date with our new Sprocket Vault releases by liking us on Facebook www.facebook.com/sprocketvault/

Also, be sure to subscribe to our YouTube channel:

https://www.youtube.com/channel/UCLHjjG-o5Ny5BDykgVBzdrQ

 


Categories